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Sunday, 27 March 2011

[A602.Ebook] Free PDF Equilibrium Unemployment Theory

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Sales Rank: #10326133 in Books
Binding: Hardcover

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Thursday, 24 March 2011

[W703.Ebook] Ebook Free Tenkara: Radically Simple, Ultralight Fly Fishing, by Kevin Kelleher M.D., Misako Ishimura

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Fly fishing is complex and costly with too much cumbersome gear, right? Well, tenkara's different. Long overlooked in the West, tenkara is economical and simple, productive, and pleasurable This Eastern approach is today taking the fly-fishing world in North America and Europe by storm. Its tool kit is simple: a long, collapsible rod; a length of line tied to the end of the rod; and a fly. Withoug a reel, casting techniques become easy and intuitive. The gear is inexpensive and easily portable, perfect for hiking and camping.

This pioneering book is an ideal guide to tenkara, covering the essentials of gear and rigging, the roots of tenkara, fishing dry flies as well as subsurface fishing and casting--as well as tenkara backpacking and tenkara for women. Tenkara has been the subject of features in Field & Stream, American Angler, and Fly, Rod & Reel magazines, and has been endorsed by the likes of Patagonia CEO and environmentalist Yvon Chouinard. Major retail outlets are now selling tenkara rods.

Sales Rank: #55138 in Books
Brand: Lyons Press
Published on: 2011-03-01
Original language: English
Number of items: 1
Dimensions: 9.25" h x 7.75" w x .50" l, .76 pounds
Binding: Paperback
160 pages

Features

Lyons Press

From the Back Cover
Fly fishing, that most contemplative of sports, can be complex and costly. And yet it doesn’t have to be. Not with tenkara. This Eastern approach to fly fishing has no cumbersome gear. The line is hitched directly to the end of a long collapsible rod, and without a reel casting becomes easy and intuitive. The gear is not only inexpensive but also highly portable, perfect for hiking and camping. Long overlooked in the West, tenkara is taking the West by storm.
Beginning and seasoned anglers will find the information needed to make the transition from Western to tenkara fishing: the essentials of gear and rigging, fishing dry lines, subsurface fishing and casting, knots, tenkara backpacking, and tenkara for women. Regardless of your skill level, it’s the simplicity that’s going to win you over. Tenkara has everything you love about fly fishing, but with a liberating minimalism.

About the Author

Kevin C. Kelleher, MD, is a family physician, an adjunct professor of medicine, the author of a monthly medical advice column, and an award-winning painter. He is also a backpacker, canoeist, and tenkara devotee.

Misako Ishimura, a top international fly-fishing competitor, was the charter director of the International Women Fly Fishers and the founder of World Fly Fishing of Japan.

The Tenkara Rod

Modern tenkara rods are technological wonders. Carbon-reinforced polymers have revolutionized tenkara. These rods are amazingly light, have a high strength-to-weight ratio, and have a telescoping package that allows for compact storage. Modern tenkara rods typically weigh two to four ounces, and are generally nine to fifteen feet long, with as many as eleven sections. The handle or grip contains the telescoping sections, allowing for easy transport. The remarkable collapsed package is only fourteen to twenty-four inches long, perfect for carry-on luggage or an ultralight backpack.

There are a surprising number of telescoping rods in Japan, each aimed at a specific type of fishing. However, a tenkara rod by definition has a grip, and its length is effectively limited to fifteen feet or less. The grip and length limitation are necessary to provide a light, balanced rod, which is comfortable for the repeated casting needed for all day fly presentation. Great care is taken to properly balance a tenkara rod.

Since tenkara rods have no reels, the line is attached at the tip. This may remind you of a cane pole, and, in many ways, a tenkara rod does reflect the cane pole's simplicity. The grace and delicate presentation of the tenkara rod, however, supplied by its smooth application of power, far exceeds the cane pole or its poor cousins, the crappie pole and loop rod. The hollow, refined carbon modular components allow a transfer of force through the rod's long lever arm, resulting in an almost effortless turning over of the line and fly. The rod actually becomes part of the flexing compound curve that turns over the line. Its tip, in the range of three hundredths of an inch (0.03"), is so flexible it becomes part of the cast. Indeed I have often said that the tenkara rod simply “launches a leader,” rather than a line.

Tenkara rods are rated by a ratio based on the number of stiff to supple sections. For instance, a 6:4 rod has six stiffer sections combined with four more flexible ones: the larger the ratio, the stiffer, or “faster,” the rod. When you “shake test” a tenkara rod, this ratio will predict the point of maximum flex. But keep in mind that the tenkara rod, particularly because of its length, is slower than traditional fly rods. This makes it ideal for short and delicate presentations.

A standardized method of describing a fly rod's action in its entirety has not yet been devised. The “Common Cents System” [1] is perhaps the most useful. When you choose your rod, remember that tenkara rods do not describe the same kind of compound curve as do fly rods. The so-called “action angle” is of little use in describing their speed. More useful, the ERN values (Effective Rod Number) that correspond to the weight of line in the western system roughly correlate with the “stiffness” of the tenkara rod. Measurements of a sampling of tenkara rods correspond with western rods, from a one-weight all the way to a six-weight rod. I prefer rods at the softer (lower) end for their ease in casting. A stiffer (higher) rod has the ability to manage larger fish but tends to need a bit more muscle in casting. For now, test casting a tenkara rod is the best way to match your particular sensibilities and style.

One particularly ingenious innovation of the modern tenkara rod is in its telescoping grip storage. This compact storage makes for one of the smallest packages in fishing even while creating one of the longest reaches. With a simple unscrewing of the butt cap, all the pieces can be removed for cleaning and easily and inexpensively replaced if damaged. When extending or collapsing your tenkara rod, be sure to push and pull in-line with the long axis; most damage occurs when collapsing the rod. Make sure the sections are snug, ensuring a smooth action, but don't over tighten. Cleaning your rod from time to time with a soft cloth and drying it after a day on the stream is always a good idea, and can make for a nice, mindful conclusion to a fishing excursion. Gear readiness also makes your next spontaneous outing more likely. Lightly waxing the joining sections can aid the fit, making telescoping in freezing weather easier.

[1] Hanneman, William, http://www.common-cents.info/.

Most helpful customer reviews

10 of 10 people found the following review helpful.
More than just a primer
By p.f.arnold
I am a long-time fly fisher who has taken up tenkara fly fishing as a result of reading this excellent book. I found no filler in the book, and I suspect that the reader who did find it was referring to material which lay outside his or her personal range of interests.

The book is artfully written and is (as far as I can tell) technically accurate. It is also fair, inasmuch as both the joys and the limitations of tenkara are spelled out; although enthusiastic about tenkara, the author is neither cheerleader nor salesman.

I'm delighted with the illustrations. They have the spare suggestive style of much Asian art, and after all the book is about Japanese fly fishing. As for the lack of color pictures, they not only would have added little, they would have increased the cost of the book; you pay for what you get.

I strongly recommend the book both to people new to fly fishing and to those who are already accomplished fly fishers.

1 of 1 people found the following review helpful.
Certainly a good one for anyone looking to better understand the Tenkara ...
By River Rambler
Certainly a good one for anyone looking to better understand the Tenkara method. A bit text heavy but an easy read with some helpful images. I've found it to be a helpful guide to a new way of fishing.

1 of 1 people found the following review helpful.
simple and inspiring intro
By JJJ
I really liked this book. I am a newcomer to fly fishing and I found this book to make the introduction not only less intimidating, but inspiring. It is a quick, easy, and pleasant read. I envision myself re-reading chapters after each outing.

I wrote more here: http://findingikaria.com/tag/tenkara/

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Wednesday, 16 March 2011

[K339.Ebook] Free PDF Enchanting Modern: Ilonka Karasz, by Ashley Callahan, Georgia Museum of Art

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Ilonka Karasz's career spanned many decades and media, including textiles, furniture, silver, ceramics, wallpaper, graphic design, and fine art. She produced over 180 covers for The New Yorker and provided illustrations for books and magazines. Enchanting Modern: Ilonka Karasz is the first book dedicated to this prolific artist. This first museum exhibition to focus on Karasz will feature over 100 examples of her work from all parts of her career, and will trace the life of an enchanting modern.

Sales Rank: #2390588 in Books
Brand: Brand: Georgia Museum of Art
Published on: 2003-11-01
Original language: English
Number of items: 1
Dimensions: .0" h x .0" w x .0" l, .0 pounds
Binding: Paperback
168 pages

Features

Used Book in Good Condition

Most helpful customer reviews

2 of 2 people found the following review helpful.
Gratitude for the effort and result
By Charrison-homitz
I am thrilled to see an acknowledgment of Mme. Karasz' creative contributions in book form. When she was eighty-two (she was still teaching and working), I spent two years in two-month increments with her, using her design system. (I think there's another book to be written about the "language of design" and the way she "saw" and her masterful way of working with students.) After long periods(sometimes 12-16 hours)of quiet, intensive work together, we had toasts of a grand Hungarian sherry she always brought with her from New York. If I had a bottle of whatever it was, I would toast you for this book. C. Harrison (San Rafael, CA)

3 of 3 people found the following review helpful.
Poorly Presented
By uncletwinkie
Ilonka Karasz's graphic works deserve full page presentation - particularly considering the small format of this book, but some are shown only in thumbnails, which is ridiculous for such complex compositions. Others are given their own page, but mysteriously and annoyingly take up less than half the space. There are some beautiful full page presentations of her graphics, but not nearly enough. In fact the general quality of the book - i.e., paper, binding, color reproduction - is very good, but the design choices are erratic, and do not do justice to Karasz's work. I was very disappointed in it.

2 of 2 people found the following review helpful.
Excellent momograph
By Chris Kennedy
A monograph on this seminole female modernist was long overdue. Well researched, documented and illustrated; it is the most concise and informative treatise on a woman who both influenced and shaped the beginnings of American Modernism. Many thanks to Ms. Callahan for bringing out the first work on this artist/designer and making it a worthwhile endeavor, not a rush to market to fill a niche. Thanks.

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Tuesday, 8 March 2011

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Revised and enlarged 2nd edition. This book points the believer to the liberating truths surrounding what our Father has done for us through the Finished Work of Christ.

Sales Rank: #1310306 in Books
Published on: 2014
Binding: Paperback
173 pages

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4 of 4 people found the following review helpful.
Who We Are In Christ by Joe Mcintyre
By Pastor Scott Boggs
The Author has clearly and effectually imparted this great word that makes clear again and again to all God's kids that Our Righteousness is in fact a Gift given to us from God through Christ Jesus and not a reward we have to earn. The underlying tone of redemptive Holy Spirit power and love saturates it's pages. It's a very informative and empowering read that leaves you with the feeling of being in right standing with God. ~ Pastor Scott

2 of 2 people found the following review helpful.
Grasp the Reality that has belonged to you all along
By Amazon Customer
Who We Are in Christ is about finding ourselves; our identity, our power, our joy, all of it- inside what and who God has said we are. It is about taking what we have heard and even acknowledged, and letting it take root deep within us, changing how we see ourselves and, in turn, how we live and perceive reality in light of what God has said and done. This books takes us on a basic yet penetrating process as we read through it that moves us (with ease, I might add) from a place of having heard, knowing and even thinking we "get it", to living out of the truth of who we are. There is so much more to who we are than where we have been living (in our perceptions of self, that is) and we go from a relatively shallow understanding to a very deep one, of just what Paul meant when he said Christ in us, and us in Christ. There is a beautifully climactic build inside this book as it reads that culminates in a final, sound, and wholly complete understanding of how God loves us and chose us, and who we truly are in Him: co-heirs with all power and all authority as we are enthroned with Christ. I cannot count the ways this book has changed my life and my thinking. Who I am (that which He says) is no longer just what I am on most days or what I endeavor to be, but is finally the Incorruptible Seed within my heart. Read this book-- Finding who you are in Christ changes everything.

2 of 2 people found the following review helpful.
Definite 5 stars!!!!!
By Alesha Marie
This book brings to light the truth of Who we are in Christ. Since Christ's death and resurrection, we are a new creation in Him. We are a new man. This book has also really helped me realize just how important our thought life really is. It really amazes me how our imagination can control so much; and how it affects the way we live our life as Christians. We need to bring our every thought into captivity to the obedience of Christ. I give this book a definite 5 stars and would recommend it to everyone!!!!

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Saturday, 5 March 2011

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This book promotes an evidence-based paradigm of fetal heart rate monitoring during labour, with a move away from the traditional 'pattern-based' interpretation to physiology-based interpretation. Chapters are presented in a systematic and accessible format, covering topics such as non-hypoxic causes of fetal brain injury, pre-existing hypoxia, types of intrapartum hypoxia, erroneous monitoring of maternal heart rate, fetal scalp blood sampling and fetal ECG (STAN), intermittent auscultation and medico-legal issues. Sections on 'pearls' and 'pitfalls' highlight good practice and common errors to promote best practice. End-of-chapter exercises allow the reader to engage with the theory and test their knowledge of key areas. This is a highly practical manual aimed at obstetricians and midwives, particularly those undergoing CTG training. The book will also be very useful to midwifery and medical students and to all those involved in multiprofessional intrapartum care.

Sales Rank: #7625713 in Books
Published on: 2017-04-30
Original language: English
Dimensions: 9.21" h x .47" w x 6.14" l, .0 pounds
Binding: Paperback
258 pages

About the Author
Edwin Chandraharan is Lead Consultant on the Labour Ward at St George's University Hospitals NHS Foundation Trust and Honorary Senior Lecturer at St George's Hospital Medical School, University of London.

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Friday, 4 March 2011

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Sales Rank: #660970 in Books
Published on: 2012-03-23
Original language: English
Number of items: 1
Dimensions: 1.60" h x 9.00" w x 11.30" l, 5.64 pounds
Binding: Hardcover
800 pages

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Friday, 25 February 2011

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"It is often said that education and training are the keys to the future. They are, but a key can be turned in two directions. Turn it one way andyou lock resources away, even from those they belong to. Turn it the otherway and you release resources and give people back to themselves. To realizeour true creative potential—in our organizations, in our schools and in our communities—we need to think differently about ourselves and to actdifferently towards each other. We must learn to be creative."
—Ken Robinson

PRAISE FOR OUT OF OUR MINDS

"Ken Robinson writes brilliantly about the different ways in which creativity is undervalued and ignored . . . especially in our educational systems."
—John Cleese

"Out of Our Minds explains why being creative in today'sworld is a vital necessity. This book is not to be missed."
—Ken Blanchard, co-author of The One-minute Manager and The Secret

"If ever there was a time when creativity was necessary for the survival andgrowth of any organization, it is now. This book, more than any other I know, providesimportant insights on how leaders can evoke and sustain those creative juices."
—Warren Bennis, Distinguished Professor of Business, University of Southern California; Thomas S. Murphy Distinguished Rresearch Fellow, Harvard Business School; Best-selling Author, Geeks and Geezers

"All corporate leaders should read this book."
—Richard Scase, Author and Business Forecaster

"This really is a remarkable book. It does for human resources what Rachel Carson's Silent Spring did for the environment."
—Wally Olins, Founder, Wolff-olins

"Books about creativity are not always creative. Ken Robinson's is a welcome exception"
—Mihaly Csikszentmihalyi, c.s. and d.j. Davidson Professor of Psychology, Claremont Graduate University; Director, Quality of Life Research Center; Best-selling Author, Flow

"The best analysis I've seen of the disjunction between the kinds of intelligence that we have traditionally honored in schools and the kinds ofcreativity that we need today in our organizations and our society."
—Howard Gardner, a. hobbs professor in cognition and education, Harvard Graduate School of Education, Best-selling Author, Frames of Mind

Q&A with Sir Ken Robinson
Author Sir Ken Robinson What has changed since the first edition of Out of Our Minds was published in 2001 that has prompted you to write this new edition?
One of the core themes of the book is the rate and nature of change in the modern world. The last ten years have offered dramatic demonstrations of this theme. Just think of the breathtaking innovations in technology and digital culture. Ten years ago, Google was still a novelty; there were no smart phones, no IPods or IPads; no Twitter or Facebook or any of the social media that are transforming life and work today. Then think of the increasing pace of population growth, the growing strains on the environment and the effects of all of these on people’s lives and future prospects and the fact is that the world is becoming more complex and unpredictable than ever. Ten years on, I wanted to refresh and update the information in the book and to show that these revolutionary changes make the arguments of Out of Our Minds even more urgent in 2011 than they were in 2001. I’ve also spent the last ten years travelling the world presenting and debating the ideas in the book. In this new edition, I also wanted to present the arguments in a fresh way and to include new examples of the strategies that are needed to make them a practical reality.

Why do you think this book is important for business and industry leaders as well as educationalists?
In the last ten years, I’ve worked with business of all sorts all around the world. For all of them, cultivating creativity is a bottom line issue. Last fall, IBM published a report on the challenges facing business in 2011 and beyond. The report was based on survey of 3000 CEOs. It showed that the top priority for CEOs everywhere is to promote creativity systematically throughout their organizations. The reasons are clear enough. In a world of rapid change, companies and organizations have to be adaptable as circumstances change and be able to develop new products and services as new opportunities emerge. Most people occasionally have a new idea. For companies that isn’t enough. To remain competitive, they need to develop cultures where creativity is a habit and innovation is routine. The new edition of Out of Our Minds sets out the core principles for doing this and for leading a dynamic and reliable culture of innovation.

As one reviewer has suggested, creativity is a topic that excites some and enrages others. Why do you think this is?
I think it’s because there are many misconceptions about creativity. Some people believe that creativity can’t really be defined: others that it’s a process that can’t be taught. Some think it’s about special people, or special activities. One of my aims in the book is to tackle these misconceptions and to show that everyone has creative potential and that creativity can be developed in every sort of activity and in a practical way. My argument throughout Out of Our Minds is not only that creativity can be developed systematically but that it must be in education and in business if we’re to fulfil our real talents and meet the many challenges that we face.

Since the publication of The Robinson Report for the UK Government in 1999, you have been invited to contribute to strategy for creative development by other international organisations and governments. How has this work influenced your arguments in the book?
The report for the UK government set out a national strategy to promote creativity systematically in schools. Following its publication I was asked to work on a similar strategy for Northern Ireland, as part of the Peace Process, and to contribute to Singapore’s strategy to become the creative hub of South East Asia. I now live in the US and have worked with States here on creative strategies for business and education. All of these experiences have confirmed the basic arguments of Out of Our Minds and the principles and processes I describe in the book. They apply equally to schools, universities, companies and governments. Of course, there are always limits on what you can say in a government report. In this book, I’ve been able to offer a much more personal and unfettered look at these issues and to speak from the heart as well as the mind.

This book is a mind-opening look at why some people don’t achieve their full potential in life. Do you feel you have achieved your full potential in your career?
I’ve spent my life pursuing ideas and principles that I feel passionate about and that I know are deeply important in the lives of others. I’m delighted that I’ve had some impact around the world on education in particular and on how people and organizations think about themselves and their talents and potential. I still have a lot of life left in me though, so I’ll defer judgement for a while on whether and when I’ve achieved all I might do …

What changes do you hope Out of Our Minds will bring about in the long term?
I say in the Foreword to the new edition that “my aims in this book are to help individuals to understand the depth of their creative abilities and why they might have doubted them; to encourage organizations to believe in their powers of innovation and to create the conditions where they will flourish; and to promote a creative revolution in education.” I couldn’t have put it better myself!

Sales Rank: #31803 in Books
Brand: Brand: Capstone
Published on: 2011-02-21
Original language: English
Number of items: 1
Dimensions: 8.80" h x 1.20" w x 5.70" l, 1.10 pounds
Binding: Hardcover
352 pages

Features

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71 of 74 people found the following review helpful.
Breezy, beautiful, thought provoking read
By Todd B. Kashdan
I'm unsure why its taken me this long to digest anything by Ken Robinson. After reading a free copy of this revamped book, I am officially a fan. Let me give a few reasons why this needs to get into the hands of teachers, businessman, policy makers, parents, and basically everyone else:

1. Nearly everyone wants the people around them to be more creative but the dominant paradigm in education, politics, and business is conformity. Everybody wants the creativity and innovation but without the risk of failing. This book, like many others, explains why creativity requires the freedom to inquire, explore, and fail in the pursuit of breaking new territory.

2. Society is changing at far too fast a rate to rely on past information as a means of educating people

3. Traditional systems of learning and governing are antiquated, and far too wed to a narrow conception of intelligence

Ken's ideas are couched in science but he does a fantastic job of putting it into the background so that it doesn't derail the narrative. He is brilliant at weaving brief sentences and chapters together, building tension until the final 2 chapters that focus on increasing the amount of creativity in the world. The only criticism I have is that the reference section was incomplete and does not allow the reader to retrace his steps. Tons of references to newspaper articles and website addresses instead of more useful books and articles. This is a minor criticism and in fact, consider it a compliment. After finishing this in two nights, I wanted to follow the breadcrumbs to the most groundbreaking strategies for cultivating creativity.

cheers,
Todd
author of Curious?

172 of 195 people found the following review helpful.
EXTRAORDINARY - A Mind Blowing Book - You Simply Must Read It - 5 STARS !!!!
By Richard of Connecticut
There is simply no better way to absorb worthwhile information than from a great book. I knew I was onto something with this book when I saw some of the people who took the time to write a couple of sentences of praise on behalf of author Ken Robinson's work. They included Howard Gardner and Mihaly Csikszentmihalyi (don't try to pronounce it; I have been trying for years).

Now Howard Gardner is the man who runs Project Zero at Harvard. He is also a two time recipient of the MacArthur Genius award. His impact on our country and the world has been massive. I suggest you read anything that writes, anything. This is the man who developed the theory of multiple intelligences. Then you have Csikszentmihalyi who came up with the concept of FLOW. The state in which you are so passionately involved in a project, time is just flying by, you are in a peak experience as Abraham Maslow use to say. For these two giants (read all their books by the way) to write words of praise told me this book is going to be something special. I WAS NOT DISAPPOINTED.

About one in every 100 books I read is truly special, impactful, worthy of remembrance, and re-reading. "Out of Our Minds" is one of those rare books. You read it, and you feel the author's energy surging from the book and into your mind. You will be transformed, and you must re-visit this narrative from time to time. You will be sorry when it's over, because you will want more. Everyone should read this book, and each of us will benefit from every page.

What it's about

In ten chapters and 286 pages, Robinson takes us through the world of CREATIVITY, a skillset that the author believes we are all born with, but then it gets shunted aside in our young lives while the school systems attempt to commoditize us (successfully too) into their preconfigured concepts of who and what we should become. It is Robinson's contention that we all have incredible potential for living creative lives both on a personal level and in our chosen course of work. What's more, he believes that it is this quality; the quality of acting in creative ways that will save us as a society and allow us to prosper as opposed to the regimentation that society puts us through.

He wants us to understand just how much creative ability we have in our souls, and he wants us to access it. He wants corporations to slow down in their path of creating corporate armies, and instead to become creative organizations where a whole new set of conditions will exist. These conditions will foster people in their attempt to flourish, and as he say to promote a creative revolution in this country. His discussion of the Pixar Corporation and their in house university which allows all employees to study any subject they desire that is taught within the corporation is worth the price of the book by itself. Pixar also allow their employees to take 4 hours of their workweek and convert to to Pixar University time.

In the first parts of the book, Robinson takes us on a tour de force of world history and creativity. This for me is where the book positively excels. For those of us who are big time readers, it simply does not get any better than this part of the book. He's giving us John Kenneth Galbraith, Picasso, Einstein, Edison, Shakespeare, Johannes Gutenberg, Sir Frances Bacon, Jean Piaget, H.G. Wells, and probably a 100 more. He then takes us on a history of the world including pre-industrial societies, the Industrial Revolution, and the Information Society we are currently in. There is not a single page of this book that I found boring, and that is really saying something.

The Man's Mind is Unique

How often do you come across a book which you find absolutely fascinating. This is a book that you can't wait to get back into when you put it down, if you can put it down at all. When you get into Our of Our Minds, you will find yourself reading something that will jolt you into a new perspective, where you can say, give me more? I want to leave you with a few ideas and thoughts that are spread through this narrative, what I think are nuggets, diamonds really, that perhaps will motivate you to see what I saw in this remarkable book:

* The education system in this country was completely modeled on the needs of the Industrial Revolution which is based on linearity, conformity and standardization. People therefore need to RECOVER from their educations in order to become more creative.

* The financially led 2008 recession was caused by credit and asset bubbles that caused over-consumption and then blew into a recession. We are still paying a price that will take years to work out of.

* Humans believe that we can live separate and apart from nature - we cannot.

* In 1950, the average American traveled 5 miles per day. Ten years ago, it was 30 miles per day. In ten years (2020), it will be 60 miles per day.

* A digital wrist watch today has more computing power than the spaceship Neil Armstrong used to land on the moon.

* There is a thorough discussion of Nano-technology and robotics and how it will change the world in the coming decades.

* In this country we consider a decade to be a long time. In England a century is a long time, and in China you have to think in terms of a thousand years before it is considered a long time. This is actually ingrained in our thinking.

Summary

If you want a laugh try this one. Robinson tells us that the primary purpose of economic forecasting is to make astrology look repsectable. He is quoting John Kenneth Galbreith. I believe this book will impact your life, and change the way you think and reflect on yourself. You will make decisions about the way you want to spend the rest of your life. You will reflect as to whether or not what you have been doing with your time is truly worthwhile, and you will come away the better for it. This is that rare book that you do not gently put down when it is over. You will have to come back to it; you simply cannot ignore its contents. Thank you for reading this review.

Richard C. Stoyeck

157 of 179 people found the following review helpful.
Poorly Titled, but well written Tome on Education, not Creativity
By Amber FLYNN
I cannot give this book a bad review, but I can warn potential readers to be careful that the title of the book does not equate with the material presented in this book. The title is simply not clear. It is called "Out of our Minds, Learning to be Creative." I am definitely interested in learning how to be "Out of my Mind and Learning to be Creative" but that is not what this book was about for me.

Like another reviewer of this book, I wanted to throw this book across the room several times. But I stuck in there and read it through. Sometimes the material was interesting, but overall not very memorable for me.

This is a book about the educational system and what changes need to be made collectively to include creativity in the curriculum. This is also a Tome about the History of Education, and the ongoing changes in Academia. This book may also help an individual who wants to start their creative process, but it is not about learning to be creative. This book reads like a PhD dissertation turned into a book, but it does not speak to those of us who have already embraced a life of creativity and want to learn how to be more creative.

I would recommend this book to those individuals who are ready to get out of Academia and pursue a path of creativity, but if you are already an artist or very connected to your creativity this book will be very frustrating. I would recommend the Artists Way by Julia Cameron if you want a great book on how to unblock and enjoy your creative process.

What I did get out of this book were plenty of factoids about education and academia. Mr. Robinson is a bit of a high tower intellectual and so the material reads a bit dry and informative. Information can be helpful but learning how to be creative is not an informational process.

Finally, I have to disagree with Mr. Robinson vehemently when he says in chapter 6 that creativity is about "doing something." It is actually much deeper then that. As an Artist I have found that idea to be too simplistic of a view on creativity. Creativity is a much more layered process then simply doing. Most of the time "doing" gets in the way. "Being" is a more clear channel for higher creativity.

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